{"id":4948,"date":"2024-05-16T13:46:39","date_gmt":"2024-05-16T13:46:39","guid":{"rendered":"https:\/\/octopusinstitute.com\/?p=4948"},"modified":"2024-05-17T13:40:39","modified_gmt":"2024-05-17T13:40:39","slug":"hybrid-warfare-through-graffities","status":"publish","type":"post","link":"https:\/\/octopusinstitute.com\/bs\/hybrid-warfare-through-graffities\/","title":{"rendered":"Hibridni rat kroz grafite"},"content":{"rendered":"

ISSN ONLINE: 3006-5925, ISSN PRINT: 3006-5917<\/mark><\/em><\/strong><\/p>\n\n\n\n

2020. godine po\u010dela je izgradnja objekta poznatog kao \u201eTrojica crkva\u201c, kako su javili srpski javni izvori. Ovaj objekat se nalazi u Nakellu, Pe\u0107, maloj gra\u0111evini okru\u017eenoj sa vi\u0161e starih groblja, sa lakim pristupom glavnom putu sela.<\/p>\n\n\n\n

Nekretnina u kojoj se nalazi objekat nema zna\u010dajne za\u0161titne barijere, omogu\u0107avaju\u0107i neograni\u010den pristup svakom zainteresovanom.<\/p>\n\n\n\n

Objekat nema jasnu identifikaciju kao verski objekat, kao \u0161to je pravoslavni krst. Do nedavno je slu\u017eio kao skloni\u0161te za narkomane, prolaznike i besku\u0107nike.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Usred eskalacije tenzija u hibridnom ratu, Srbija je pribegla ispisivanju grafita na ovom verskom objektu, pripisuju\u0107i ove akcije Albancima.<\/p>\n\n\n\n

Institut OCTOPUS je pa\u017eljivo analizirao gratis na unutra\u0161njim zidovima crkve, a tako\u0111e je detaljno analizirao okolnu situaciju i bezbednosnu situaciju izme\u0111u Kosova i Srbije.<\/p>\n\n\n\n

Prema ovim analizama imamo sljede\u0107e rezultate:<\/p>\n\n\n\n

Na osnovu fotografije broj 2, nakon analize fraze \u201cAllahu Akbar\u201d, primjetne pravopisne gre\u0161ke ukazuju na nedostatak znanja albanskog jezika od strane osobe koja je napisala ovaj grafit.<\/p>\n\n\n\n

Osoba koja je napisala zahvalnice ima glavni rukopis srpski sa \u0107irili\u010dnim slovima, a tako\u0111e ne poznaje islamsku religiju.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Rije\u010d \u201cAKbaR\u201d muslimani ne pi\u0161u velikim slovom, a isto tako posljednje slovo je i dalje veliko, \u0161to li\u010di na psiholo\u0161ko u\u010denje pisanja slova u obliku \u0107irili\u010dkih slova. Zbog neuspore\u0111ivanja sa Allahom, muslimani ne pi\u0161u Ekbar velikim slovom, a ove dvije rije\u010di su jedna drugoj u suprotnosti.<\/p>\n\n\n\n

Re\u010denica iznad na istoj slici ima jo\u0161 vi\u0161e problema gde zapravo pi\u0161e "Islani \u00ebsht\u00eb feju(y) e votme e Vertet", hteli su da napi\u0161u "Islam je jedina prava religija" ali su napisali ne\u0161to poput "Islan je jedina Prava religiu(y)\u201c, tada autor, ne znaju\u0107i albanski jezik, nije znao da napi\u0161e re\u010d \u201ereligija\u201c, napisao je \u201efeju(y) (religiu(y))\u201c, pa, ne znaju\u0107i ta\u010dnu re\u010d, on ili ona nije znao da ozna\u010di slovo \u201ca\u201d na albanskom jeziku na kraju. Autor tako\u0111e, ne znaju\u0107i albanski jezik, nije znao da napi\u0161e re\u010d \u201evetme (samo)\u201d i napisao je \u201evotme (omly)\u201d, a na kraju je autor napisao i re\u010d \u201ev\u00ebrtet\u00eb (istina)\u201d kao \u201e Vertet\u201d gdje je on ili ona po\u010dinjao velikim slovom i isti onaj koji je stavio slovo \u201c\u00eb\u201d na rije\u010d \u201c\u00ebsht\u00eb (je)\u201d nije znao kako da stavi isto slovo u rije\u010d \u201cVertet\u201d<\/p>\n\n\n\n

Na fotografiji broj 3 prime\u0107ujemo jo\u0161 vi\u0161e argumenata da ljudi koji su pisali grafite nisu Albanci, ne znaju albanski jezik, a tako\u0111e je glavni rukopis srpski jezik sa \u0107irili\u010dnim slovima.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

 Dakle, od po\u010detka re\u010denice je po\u010deo slovom \u201cC\u201d koje se u srpskoj \u0107irilici shvata kao slovo \u201cS\u201d, a zatim je ponovo napravio bele\u0161ku poku\u0161avaju\u0107i da ga uskladi sa albanskim slovom \u201cS\u201d. ali nije uspio. Isto tako, slovo \u201cj\u201d se pi\u0161e bez ta\u010dke iznad slova, kao i slovo \u201ci\u201d koje se pi\u0161e bez ta\u010dke iznad rije\u010di \u201ccrkva\u201d. Isto tako, rije\u010d \u201cho\u0107emo\u201d po\u010dinje velikim \u201cD\u201d, sa \u201cj\u201d bez ta\u010dke, a rije\u010d \u201cd\u017eamija\u201d se pi\u0161e kao \u201cgjami\u201d. Ovu posljednju rije\u010d svi muslimani znaju kako se pravilno pi\u0161e, bez obzira na njihov stepen obrazovanja. Dakle, ovo pokazuje da se na slici 3 nalazi i druga osoba koja ispisuje grafite unutar zidova i tako\u0111e ima srpski jezik sa \u0107irili\u010dnim slovima kao primarni jezik. Autor grafita je tako\u0111e poku\u0161ao da nacrta grafit, ali nije uspeo da postigne cilj.<\/p>\n\n\n\n

Na fotografiji primje\u0107ujemo i lopatu koja je postavljena ili zamijenjena nakon ispisivanja grafita. Lopatu nisu koristili majstori koji su tu radili, jer majstori ne ostavljaju prljavu svoju radnu opremu kako bi izbjegli njihovo o\u0161te\u0107enje.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Na fotografiji broj 4 primje\u0107ujemo novi rukopis gdje se mo\u017ee govoriti o tre\u0107oj osobi uklju\u010denoj u pisanje grafita, koja tako\u0111e ne poznaje albanski jezik. Autor grafita je zaista \u017eelio da napi\u0161e \u201cmaknite ovu crkvu odavde, ovdje su samo muslimani\u201d, ali u stvarnosti nije uspio i otkrio sebe i svrhu grafita. Osoba nije znala da napi\u0161e nijednu re\u010d u ispravnom obliku, ali ga odaje i rukopis koji otkriva da zna da pi\u0161e \u0107irili\u010dnim slovima i vrlo malo latini\u010dnim slovima, a jo\u0161 manje na albanskom jeziku. U re\u010di \u201ecrkva\u201c nije znao da je pravilno napi\u0161e na albanskom jeziku, \u010dak je i slovo \u201es\u201c vi\u0161e li\u010dilo na slova \u0107irilice.<\/p>\n\n\n\n

Isto tako, rije\u010d \u201cka\u201d je izdana u rukopisu odstupanjem od drugog slova u obliku \u0107irili\u010dkih slova.<\/p>\n\n\n\n

Na fotografiji broj 5, u rije\u010di \u201cALLAHU\u201d postoje gre\u0161ke. Po\u0161to slovo \u201cLL\u201d ne postoji u srpskom jeziku, onda autor nije znao da ga pravilno napi\u0161e i odstupio je tako \u0161to je napisao \u201cII\u201d dva velika slova \u201cI\u201d u albanskom jeziku ili dva mala slova \u201cl\u201d ali koji su u suprotnosti sa drugim velikim slovima. \u0160to se ti\u010de re\u010di \u201cEkbar\u201d tako\u0111e imamo mnogo svedo\u010denja, gde smo na fotografiji 1 videli da je ista re\u010d napisana slovom \u201cA\u201d, na fotografiji broj 5 su napisana sa \u201cE\u201d koja ne li\u010de na slova na albanskom jeziku ali sa \u0107irilicom, a na kraju se re\u010d zavr\u0161ava debelom besmislenom crnom linijom.<\/p>\n\n\n\n

Na fotografiji broj 5 tako\u0111er primje\u0107ujemo da se na vratima nalaze klju\u010devi. Vrata mogu otvoriti samo odgovorna lica i da vrata nisu otvorena nasilno, ve\u0107 su otvorena na normalan na\u010din.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Na slici 5 prikazani su klju\u010devi unutar ormari\u0107a na vratima, \u0161to pokazuje da su po\u010dinioci imali legalan pristup objektu, a klju\u010deve obi\u010dno dr\u017ee poslovo\u0111a i vlasnici objekta, tako da su imali slobodan pristup. Po\u010dinioci su pisali po unutra\u0161njim zidovima kako ih ne bi primetili prolaznici ili stanovnici koje bi onda bezbednosne slu\u017ebe Kosova mogle da proka\u017eu i otkriju.<\/p>\n\n\n\n

Sa svih fotografija prime\u0107ujemo da je bilo ljudi koji slabo znaju pisanje albanskog jezika.<\/p>\n\n\n\n

Svrha grafita<\/strong><\/p>\n\n\n\n

Ovi grafiti dolaze nakon sna\u017enog srpskog anga\u017eovanja u hibridnom ratu protiv Kosova u bezbednosnoj i politi\u010dkoj sferi.<\/p>\n\n\n\n

U kontinuiranim aktivnostima hibridnog rata Srbije protiv Republike Kosovo, kori\u0161\u0107ena su i slede\u0107a pitanja:<\/p>\n\n\n\n

\u2013 Insistiranje patrijarha srpskog Porfirija da u\u0111e na Kosovo bez dozvole kosovskih vlasti.<\/p>\n\n\n\n

\u2013 Kampanja Srbije protiv Kosova za \u010dlanstvo u Savetu Evrope.<\/p>\n\n\n\n

\u2013 Insistiranje Vlade Srbije na nelegalnoj upotrebi dinara uprkos odluci CBK o kori\u0161\u0107enju evra kao jedine zvani\u010dne valute na Kosovu.<\/p>\n\n\n\n

\u2013 Pitanje udru\u017eivanja Srba.<\/p>\n\n\n\n

\u2013 Krijum\u010darenje oru\u017eja na severu Kosova.<\/p>\n\n\n\n

Srbija je ova pitanja uklju\u010dila u hibridni rat protiv Kosova i koristi ih na konstantan na\u010din, podsti\u010du\u0107i i me\u0111uetni\u010dke tenzije u svom la\u017enom narativu o \u201eugro\u017eenim Srbima\u201c u drugim regionima Republike Kosovo.<\/p>\n\n\n\n

Aktuelni predsednik Srbije Aleksandar Vu\u010di\u0107 je u vreme dok je bio ministar propagande u re\u017eimu Slobodana Milo\u0161evi\u0107a, poznat i kao srpski gebelsi, imao ulogu da \u0161iri la\u017ene vesti i propagandu. On sada nastavlja sa istim stavom \u010dak i kada je na \u010delu kao autokrata institucija Srbije. Ovu i sli\u010dne vesti prvo prenosi srpski medij Kosovo Online.<\/p>\n\n\n\n

Pitanje grafita se tvrdi da name\u0107e Vlada Srbije, jer u Srbiji medije kontroli\u0161e Vu\u010di\u0107, pa bi kroz ove grafite uspeo da u svojoj propagandi izazove viktimizaciju me\u0111u internacionalcima i \u0161ovinizam srpskog naroda. Zbog toga nije slu\u010dajno za ministra informisanja odabrao Dejana Risti\u0107ija, koji se, prije nego \u0161to je postao ministar, pobrinuo da u\u010denicima, nastavnicima i srpskom narodu indoktrinira osje\u0107aj viktimizacije, genocida i \u0161ovinisti\u010dkog nacionalizma me\u0111u narodom. Srbi.<\/p>\n\n\n\n

U pro\u0161losti su, kao \u0161to je poznato svetu, srpski politi\u010dari u saradnji sa srpskom tajnom slu\u017ebom \u010dinili jo\u0161 grublje postupke optu\u017euju\u0107i Albance da bi potom opravdali svoje postupke.<\/p>\n\n\n\n

Vredi pomenuti slu\u010daj \u201ePanda\u201d u Pe\u0107i, gde je 1998. godine u kafi\u0107u ubijeno 6 mladi\u0107a srpske nacionalnosti. Za ovaj slu\u010daj srpski sudovi su optu\u017eeni i osudili nekoliko Albanaca. Specijalna jedinica UDB-e \u201cCrvene beretke\u201d odmah se osvetila ostalim nedu\u017enim Albancima ubistvima, mu\u010denjem, nasiljem, zatvaranjem, plja\u010dkom i raznim maltretiranjima. I sam Aleksandar Vu\u010di\u0107 je 2013. godine javno priznao da su ovo ru\u017eno krivi\u010dno delo po\u010dinile same srpske bezbednosne institucije, pripadnici specijalne policije i srpski kriminalci koji su tada delovali, ali da ga je kao akciju planirala srpska UDB-a.<\/p>\n\n\n\n

Dok je nakon teroristi\u010dkog napada u Banjskoj u septembru 2023. godine dokazano da Vu\u010di\u0107ev re\u017eim koristi srpske crkve na Kosovu za skrivanje oru\u017eja i terorista.<\/p>\n\n\n\n

Dakle, \u010dinjenice, analize i politi\u010dko-bezbednosne okolnosti navode nas na to da je ovaj \u010din organizovala sama Srbija i njena tajna slu\u017eba.<\/p>","protected":false},"excerpt":{"rendered":"

ISSN ONLINE: 3006-5925, ISSN PRINT: 3006-5917 In 2020, construction commenced on an object known as the \u201cTrinity Church\u201d, as reported by Serbian public sources. This object is situated in Nak\u00ebll, Peja, a small structure surrounded by multiple old cemeteries, with easy access to the village\u2019s main road. The property housing the object lacks any substantial<\/p>","protected":false},"author":2,"featured_media":4956,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"twitterCardType":"","cardImageID":0,"cardImage":"","cardTitle":"","cardDesc":"","cardImageAlt":"","cardPlayer":"","cardPlayerWidth":0,"cardPlayerHeight":0,"cardPlayerStream":"","cardPlayerCodec":"","footnotes":""},"categories":[27],"tags":[],"class_list":{"0":"post-4948","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-analysis"},"aioseo_notices":[],"yoast_head":"\nHybrid warfare through graffiti - Octopus Institute<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/octopusinstitute.com\/bs\/hybrid-warfare-through-graffities\/\" \/>\n<meta property=\"og:locale\" content=\"bs_BA\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Hybrid warfare through graffiti\" \/>\n<meta property=\"og:description\" content=\"ISSN ONLINE: 3006-5925, ISSN PRINT: 3006-5917 In 2020, construction commenced on an object known as the \u201cTrinity Church\u201d, as reported by Serbian public sources. 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