{"id":4948,"date":"2024-05-16T13:46:39","date_gmt":"2024-05-16T13:46:39","guid":{"rendered":"https:\/\/octopusinstitute.com\/?p=4948"},"modified":"2024-05-17T13:40:39","modified_gmt":"2024-05-17T13:40:39","slug":"hybrid-warfare-through-graffities","status":"publish","type":"post","link":"https:\/\/octopusinstitute.com\/hr\/hybrid-warfare-through-graffities\/","title":{"rendered":"Hibridno ratovanje kroz grafite"},"content":{"rendered":"

ISSN ONLINE: 3006-5925, ISSN PRINT: 3006-5917<\/mark><\/em><\/strong><\/p>\n\n\n\n

Godine 2020. po\u010dela je gradnja objekta poznatog kao \u201cCrkva Trojice\u201d, kako su objavili srpski javni izvori. Ovaj objekt nalazi se u Nakellu, Pe\u0107, mala gra\u0111evina okru\u017eena s vi\u0161e starih groblja, s lakim pristupom glavnoj cesti u selu.<\/p>\n\n\n\n

Na posjedu u kojem se nalazi objekt nedostaju zna\u010dajnije za\u0161titne barijere, koje omogu\u0107uju nesmetan pristup svima zainteresiranima.<\/p>\n\n\n\n

Gra\u0111evi nedostaje jasna identifikacija vjerske gra\u0111evine, poput pravoslavnog kri\u017ea. Donedavno je slu\u017eio kao skloni\u0161te za narkomane, prolazne osobe i besku\u0107nike.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

U jeku eskalacije napetosti u hibridnom ratu, Srbija je pribjegla ispisivanju grafita na ovom vjerskom objektu, pripisuju\u0107i te radnje Albancima.<\/p>\n\n\n\n

Institut OCTOPUS pomno je analizirao natpise na unutarnjim zidovima crkve, a tako\u0111er je detaljno analizirao okolnu situaciju i sigurnosnu situaciju izme\u0111u Kosova i Srbije.<\/p>\n\n\n\n

Prema tim analizama imamo sljede\u0107e rezultate:<\/p>\n\n\n\n

Na osnovu fotografije broj 2, nakon analize izraza \u201cAllahu Akbar,\u201d uo\u010dljive pravopisne gre\u0161ke ukazuju na nepoznavanje albanskog jezika od strane osobe koja je napisala ovaj grafit.<\/p>\n\n\n\n

Osoba koja je napisala zahvalnicu ima glavni rukopis srpski sa \u0107irili\u010dnim slovima i tako\u0111er ne poznaje islamsku vjeroispovijest.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Rije\u010d \u201cAKbar\u201d muslimani ne pi\u0161u velikim slovom, ai posljednje slovo je i dalje veliko, \u0161to li\u010di na psiholo\u0161ko u\u010denje pisanja slova u obliku \u0107irili\u010dnog slova. Zbog nepore\u0111enja s Allahom ni muslimani ne pi\u0161u velikim slovom Akbar, te su ove dvije rije\u010di kontradiktorne jedna drugoj.<\/p>\n\n\n\n

Gornja re\u010denica na istoj slici ima jo\u0161 vi\u0161e problema gdje zapravo ka\u017ee \u201cIslani \u00ebsht\u00eb feju(y) e votme e Vertet\u201d, htjeli su napisati \u201cIslam je jedina prava religija\u201d ali su napisali ne\u0161to poput \u201cIslan je nevjerovatna True religiu(y)\u201d, onda autor, ne poznavaju\u0107i albanski jezik, nije znao napisati rije\u010d \u201creligija\u201d, napisao je \u201cfeju(y) (religiu(y))\u201d, dakle, ne znaju\u0107i ispravnu rije\u010d, on ili ona nije znao ozna\u010diti slovo \u201ca\u201d na albanskom jeziku na kraju. Autor tako\u0111er, ne poznaju\u0107i albanski jezik, nije znao napisati rije\u010d \u201cvetme (samo)\u201d i napisao je \u201cvotme (omly)\u201d i na kraju je autor napisao i rije\u010d \u201cv\u00ebrtet\u00eb (istina)\u201d kao \u201c Vertet\u201d gdje je po\u010deo velikim slovom, a isti onaj koji je stavio slovo \u201c\u00eb\u201d na rije\u010d \u201c\u00ebsht\u00eb (je)\u201d nije znao to isto slovo staviti u rije\u010d \u201cVertet\u201d<\/p>\n\n\n\n

Na fotografiji broj 3 primje\u0107ujemo jo\u0161 vi\u0161e argumenata da osobe koje su ispisale grafite nisu Albanci, da ne znaju albanski jezik, a tako\u0111er je glavni rukopis srpski jezik sa \u0107irili\u010dnim pismom.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

 Dakle, on je od po\u010detka re\u010denice po\u010deo slovom \u201cC\u201d koje se na srpskoj \u0107irilici razumijeva kao slovo \u201cS\u201d, a onda je prepisao poku\u0161avaju\u0107i da ga uskladi sa albanskim slovom \u201cS\u201d ali nije uspio. Isto tako, slovo \u201cj\u201d pi\u0161e se bez to\u010dke iznad slova, kao i slovo \u201ci\u201d koje se pi\u0161e bez to\u010dke iznad rije\u010di \u201ccrkva\u201d. Isto tako, rije\u010d \u201c\u017eelimo\u201d po\u010dinje velikim slovom \u201cD\u201d, sa \u201cj\u201d bez ta\u010dke, a rije\u010d \u201cd\u017eamija\u201d pi\u0161e se kao \u201cgjami\u201d. Ovu posljednju rije\u010d znaju svi muslimani kako se pravilno pi\u0161e, bez obzira na njihov stupanj obrazovanja. Dakle, ovo pokazuje da na fotografiji 3 postoji i druga osoba koja ispisuje grafite unutar zidova i tako\u0111er ima srpski jezik sa \u0107irilicom kao primarni jezik. Autor grafita je tako\u0111er poku\u0161ao nacrtati grafit, ali nije uspio posti\u0107i cilj.<\/p>\n\n\n\n

Na fotografiji primje\u0107ujemo i lopatu koja je postavljena ili ponovno postavljena nakon ispisivanja grafita. Lopatu nisu koristili majstori koji su tamo radili, jer majstori ne ostavljaju prljavu radnu opremu kako bi se izbjegla njihova \u0161teta.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Na fotografiji broj 4 uo\u010davamo novi rukopis gdje mo\u017eemo govoriti o tre\u0107oj osobi koja je umije\u0161ana u pisanje grafita, a koja tako\u0111er ne poznaje albanski jezik. Autor grafita je stvarno htio napisati \u201cmaknite ovu crkvu odavde, ovdje su samo muslimani\u201d, ali u stvarnosti nije uspio i otkrio sebe i svrhu grafita. Osoba nije znala napisati niti jednu jedinu rije\u010d u pravilnom obliku, ali odaje ga i njegov rukopis koji otkriva da zna pisati \u0107irilicom i vrlo malo latinicom, a jo\u0161 manje albanskim jezikom. U rije\u010di \u201ccrkva\u201d nije znao pravilno napisati na albanskom jeziku, \u010dak je i slovo \u201cs\u201d vi\u0161e li\u010dilo na \u0107irili\u010dna slova.<\/p>\n\n\n\n

Isto tako, rije\u010d \u201cka\u201d rukopis je izdao odstupanjem na drugo slovo u obliku \u0107irili\u010dnih slova.<\/p>\n\n\n\n

Na fotografiji broj 5 u rije\u010di \u201cALLAHU\u201d postoje gre\u0161ke. Po\u0161to slovo \u201cLL\u201d ne postoji u srpskom jeziku, onda autor nije znao kako da ga pravilno napi\u0161e i odstupio je tako \u0161to je \u201cII\u201d napisao dva velika slova \u201cI\u201d u albanskom jeziku ili dva mala slova \u201cl\u201d ali koji su u sukobu s drugim velikim slovima. \u0160to se ti\u010de rije\u010di \u201cEkbar\u201d tako\u0111er imamo mnogo svjedo\u010danstava, gdje smo na fotografiji 1 vidjeli da je ista rije\u010d napisana slovom \u201cA\u201d, na fotografiji broj 5 su napisana sa \u201cE\u201d koja ne podsje\u0107aju na slova na albanskom jeziku ali sa \u0107irili\u010dnim, a na kraju se rije\u010d zavr\u0161ava debelom besmislenom crnom linijom.<\/p>\n\n\n\n

Na fotografiji broj 5 tako\u0111er primje\u0107ujemo da se na vratima nalaze klju\u010devi. Vrata mogu otvoriti samo odgovorne osobe i da vrata nisu otvorena nasilno, ve\u0107 su otvorena na normalan na\u010din.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Slika 5 prikazuje klju\u010deve unutar ormari\u0107a na vratima, \u0161to pokazuje da su po\u010dinitelji imali legalan pristup objektu, a klju\u010deve obi\u010dno dr\u017ee poslovo\u0111a i vlasnici objekta, tako da su imali slobodan pristup. Po\u010dinitelji su pisali po unutarnjim zidovima kako ih ne bi primijetili prolaznici ili stanovnici koje bi potom mogle prozvati i otkriti sigurnosne agencije na Kosovu.<\/p>\n\n\n\n

Iz svih fotografija primje\u0107ujemo da je bilo ljudi koji slabo poznaju pisanje albanskog jezika.<\/p>\n\n\n\n

Svrha grafita<\/strong><\/p>\n\n\n\n

Ovi grafiti dolaze nakon sna\u017enog srpskog anga\u017emana u hibridnom ratu protiv Kosova u sigurnosno-politi\u010dkoj sferi.<\/p>\n\n\n\n

U kontinuiranim aktivnostima hibridnog rata Srbije protiv Republike Kosovo kori\u0161tena su i pitanja u nastavku:<\/p>\n\n\n\n

\u2013 Inzistiranje srpskog patrijarha Porfirija da u\u0111e na Kosovo bez dopu\u0161tenja kosovskih vlasti.<\/p>\n\n\n\n

\u2013 Kampanja Srbije protiv Kosova za \u010dlanstvo u Vije\u0107u Europe.<\/p>\n\n\n\n

\u2013 Inzistiranje Vlade Srbije na nezakonitoj upotrebi dinara uprkos odluci CBK o upotrebi evra kao jedine slu\u017ebene valute na Kosovu.<\/p>\n\n\n\n

\u2013 Pitanje udru\u017eivanja Srba.<\/p>\n\n\n\n

\u2013 Krijum\u010darenje oru\u017eja na sjeveru Kosova.<\/p>\n\n\n\n

Srbija je ova pitanja uklju\u010dila u hibridni rat protiv Kosova i koristi ih na konstantan na\u010din, tako\u0111er raspiruju\u0107i me\u0111uetni\u010dke tenzije u svom la\u017enom narativu o \u201cugro\u017eenim Srbima\u201d u drugim regijama Republike Kosovo.<\/p>\n\n\n\n

Sada\u0161nji predsjednik Srbije Aleksandar Vu\u010di\u0107, u vrijeme dok je bio ministar propagande u re\u017eimu Slobodana Milo\u0161evi\u0107a, poznat i kao srpski Gebelsi, imao je ulogu \u0161irenja la\u017enih vijesti i propagande. Sada nastavlja s istim stavom i kada je na \u010delu institucija Srbije kao autokrata. Ovu i sli\u010dne vijesti prvi prenosi srpski medij Kosovo Online.<\/p>\n\n\n\n

Temu grafita navodno montira vlada Srbije, jer u Srbiji medije kontrolira Vu\u010di\u0107, pa bi on kroz te grafite uspio u svojoj propagandi izazvati viktimizaciju me\u0111u me\u0111unarodnim i \u0161ovinizam u srpskom narodu. Zato nije slu\u010dajno da je za ministra informisanja izabrao Dejana Risti\u0107a, koji se, pre nego \u0161to je postao ministar, pobrinuo da kod u\u010denika, nastavnika i srpskog naroda indoktrinira ose\u0107aj viktimizacije, genocida i \u0161ovinisti\u010dkog nacionalizma me\u0111u Srbima.<\/p>\n\n\n\n

U pro\u0161losti su, kao \u0161to je poznato svijetu, srpski politi\u010dari u suradnji sa srbijanskom tajnom slu\u017ebom \u010dinili jo\u0161 grublje postupke optu\u017euju\u0107i Albance da bi potom opravdali svoje postupke.<\/p>\n\n\n\n

Vrijedno je spomenuti i slu\u010daj \u201cPanda\u201d u Pe\u0107i, gdje je 1998. godine u jednom kafi\u0107u ubijeno 6 mladi\u0107a srpske nacionalnosti. Za ovaj slu\u010daj pred srpskim sudovima optu\u017eeno je i osu\u0111eno nekoliko Albanaca. Specijalna jedinica UDB-e \u201cCrvene beretke\u201d odmah se osvetila ostalim nedu\u017enim Albancima ubojstvima, mu\u010denjima, nasiljem, zatvaranjem, plja\u010dkom i raznim maltretiranjima. I sam Aleksandar Vu\u010di\u0107 2013. godine javno je priznao da su ovaj ru\u017eni kriminalni \u010din po\u010dinile same srbijanske sigurnosne institucije, pripadnici specijalne policije i srpski kriminalci koji su tada djelovali, no kao akciju je isplanirala srpska UDB-a.<\/p>\n\n\n\n

Dok je nakon teroristi\u010dkog napada u Banjskoj u rujnu 2023. godine dokazano da Vu\u010di\u0107ev re\u017eim koristi srpske crkve na Kosovu za sklanjanje oru\u017eja i terorista.<\/p>\n\n\n\n

Dakle, \u010dinjenice, analize i politi\u010dko-sigurnosne okolnosti upu\u0107uju na to da je ovaj \u010din organizirala sama Srbija i njezine tajne slu\u017ebe.<\/p>","protected":false},"excerpt":{"rendered":"

ISSN ONLINE: 3006-5925, ISSN PRINT: 3006-5917 In 2020, construction commenced on an object known as the \u201cTrinity Church\u201d, as reported by Serbian public sources. This object is situated in Nak\u00ebll, Peja, a small structure surrounded by multiple old cemeteries, with easy access to the village\u2019s main road. The property housing the object lacks any substantial<\/p>","protected":false},"author":2,"featured_media":4956,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"twitterCardType":"","cardImageID":0,"cardImage":"","cardTitle":"","cardDesc":"","cardImageAlt":"","cardPlayer":"","cardPlayerWidth":0,"cardPlayerHeight":0,"cardPlayerStream":"","cardPlayerCodec":"","footnotes":""},"categories":[27],"tags":[],"class_list":{"0":"post-4948","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-analysis"},"aioseo_notices":[],"yoast_head":"\nHybrid warfare through graffiti - Octopus Institute<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/octopusinstitute.com\/hr\/hybrid-warfare-through-graffities\/\" \/>\n<meta property=\"og:locale\" content=\"hr_HR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Hybrid warfare through graffiti\" \/>\n<meta property=\"og:description\" content=\"ISSN ONLINE: 3006-5925, ISSN PRINT: 3006-5917 In 2020, construction commenced on an object known as the \u201cTrinity Church\u201d, as reported by Serbian public sources. 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